I Was Talent
Andy Glasser
        
        What the hell, I was talent.  I didn't particularly want to give up the rights to own my work, but I wasn't making any money anyway.  This was an opportunity to make money writing, to support myself doing what I loved to do.  In the end would I feel like I was used? I didn't know.  They were taking a big risk giving me a one-year contract to write.  They didn't know if they would be able to sell any of my ideas or not.  And they were going to be out $30,000 no matter what.  So what if they could make a lot more than that.  Would they?  Could I?  Those were the questions.  And the realistic answer to the first one was maybe, and to the second one, no.
        So I took the job.  It was a great opportunity, I thought.  All I had to do was write a story every day, and I would keep my job.  It didn't have to be good.  It didn't have to be long.  There weren't any rules.  It just had to be written. 
        They would have all rights and ownership in everything I submitted.  After a year I would be on my own, and wouldn't be able to use any of those story ideas that I wrote for them. They could try to sell them or have other writers develop them, or do whatever they wanted.  All I would get would be credit for the "original story idea."
        Their entire business strategy relied upon the assumption that they would eliminate writers block for people they thought had a natural talent, by removing the author's own high standards, by removing ownership, by forcing them to write something that could very well be junk, utter garbage, just to earn a paycheck. They had faith that the natural talent would reveal itself, even when the author himself didn't recognize it.  Out of 240 working days in a year, they would have 240 story ideas.  If I didn't turn in a story one day, I would have to take vacation, or a dock in pay.
        I would have a story. No matter how bad it had to be, I would write one.
        It was an experiment for me too. I was interested in what would happen.  I actually had no theories.  But I would be paid, and I would be writing.  And I liked that. And so I wrote.  And I wrote.  And I wrote.  And one day, this was what I wrote.


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